Abandoned fairground at dusk, rusting rides, long shadows

Pintura impressionista pastel e grafite de Frank weston benson numa cena em New York, zona rural em um final de tarde, pessoas em mesas conversando e tomando cafe. . Tinta encáustica a óleo, azul e neon fluo in terracota e verde cana. linogravura tuequesa elétrica. árvores secas com galhos longos e secos. sombras das pessoas no chão são compridas. postes de luz antigo

A haunted supermarket aisle, dimly lit and abandoned, with dusty, disorganized shelves. On the left, torn pasta bags spill out eerily, and on the right, rusted cans and sauce bottles lean precariously. Flickering neon lights cast ghostly shadows that seem to dance across the shelves, creating an unsettling atmosphere. The floor is shiny like ice, cold and reflective, while a sinister white glow appears in the center of the aisle, resembling a portal to another dimension. The scene feels trapped in a dark, cursed dimension, as if time itself has stopped, invoking a chilling, haunted Halloween ambiance

Abandoned amusement park overtaken by nature, rusted and broken rides covered in vines, moss growing on the cracked pavement, an old Ferris wheel looming in the background, eerie silence, mist rising through the overgrown trees, post-apocalyptic and haunting, cinematic, high-resolution, 8K, UHD --s 750 --style raw --v 6.0 --ar 16:9

Dream nuclei style，a house where i lived when i am a child .sad ，lonely ，dusk，damp

"Ein großes, rostendes Q mitten in einem verlassenen, überwucherten Raum, umgeben von zerbrochenen Fenstern und verfallenen Mauern, Lichtstrahlen fallen durch die Risse und erleuchten den verrosteten Buchstaben, Pflanzen und Moos überwuchern das Q und wachsen entlang der Risse im Boden, symbolisch für den langsamen Verfall und das Überwuchern einstiger Ideen, Atmosphäre ruhig und geheimnisvoll." --s 750

Pintura impressionista pastel e grafite de Frank weston benson numa cena em New York, zona rural em um final de tarde, pessoas em mesas conversando e tomando cafe. . Tinta encáustica a óleo, azul e neon fluo in terracota e verde cana. linogravura tuequesa elétrica. árvores secas com galhos longos e secos. sombras das pessoas no chão são compridas. postes de luz antigo

an airplane graveyard in the mojave desert california daytime --ar 4:1

a mid 30 years old couple enjoying a cocktail loung close to a glass railing balcony on a rooftop bar at dusk. Add people in the background and some baroque chandeliers with self stands and candles. --ar 16:9 --v 6.0

A dark, unsettling liminal backroom space, dimly lit by flickering, buzzing fluorescent lights casting sickly yellow-green shadows. The walls are stained, peeling, and slightly damp, covered in mysterious black mold creeping from the corners. The endless hallways stretch into darkness, filled with unsettling silence, broken only by faint, echoing whispers and the occasional distant thud. Doors are slightly ajar, leading into smaller, cramped rooms where rusted pipes leak an unknown liquid, forming puddles on the dirty, cracked linoleum floor. The air is thick and oppressive, with a hint of mildew and decay, as if no one has entered for decades. Shadows loom, seeming to move just out of sight, hinting at something watching or lurking beyond the weak, dim light. Small, outdated furniture and strange objects are scattered around, as though someone--or something--had been there but left in a hurry. The overall scene feels abandoned yet alive, creating a sense of dread and paranoia, as if someone is always one step behind you, watching from the darkness Photography by eiko ishioka + surreal, 80s horror style images:: Film still, weird ritualistic Characters , ritual in the weird dimension, inflatable textile technical fabric. hedonistic scene, by Kubrick, by Jodorowsky, by Wes Anderson, by Verner Panton, Vogue, hyper realism, master, Sony Alpha a7 8k + Hasselblad 800mm lense, Film still, 50s street photography, surrounded by otherworldly, and weird art humans in fancy 70’s clothing , by Verner Panton, Vogue, hyper realism, dynamic composition, super detailed, intricate details, HDR + colorful Editorial. Shiny colors, Photography, Lensed by eiko ishioka and Absolon Stumme, details and compostition by George Mayer, high resolution, retro futuristic, retrofuturism, 32K [...]

Pintura impressionista pastel e grafite de Thomas Kinkade numa cena em New York, zona rural em um final de tarde, pessoas em mesas conversando e tomando cafe. . Tinta encáustica a óleo, azul e neon fluo in terracota e verde cana. linogravura tuequesa elétrica. árvores secas com galhos longos e secos. sombras das pessoas no chão são compridas. postes de luz antigo

illuminated sign with individual letters spelling ski, each sign to be in blue metal and have bulbs in the style of fairground signs. no rust on sign, it should look polished. Ensure sign reads SKI

In an abandoned, charred ship cabin, an armed Marine in full combat gear fires his assault rifle at a terrifying figure standing before him. The creature is dressed in a tattered blue captain's uniform, with a grotesque head encased in an iron cage. Its hands feature unnaturally long fingers, each about 30 centimeters in length, with numerous knuckles. The scene is dark and frightening, with Rembrandt-style cinematic lighting casting deep shadows. The atmosphere is tense and eerie, captured like a horror movie still, shot with an ARRI camera, exuding a chilling and unsettling vibe --ar 16:9 --q 2 --s 200 --seed 594234596

Background for a christmas fair poster

a young boy runs through an old abandoned fair ground, faded, dreamlike, morning, moody, cinematic, atmospheric, photoreal. In the style of David Fincher. 35mm filmstock. --v 5.2 --ar 2:1

An illustration of a motorcyclist riding on a road during dusk or in rainy conditions, wearing high-visibility reflective clothing. The motorcyclist is wearing a neon yellow or orange reflective jacket with reflective strips on the arms and back, along with a reflective helmet. The road is wet, reflecting the lights of passing vehicles. The background includes cars, some with headlights on, and a cityscape or forest setting. The focus is on how the reflective clothing makes the motorcyclist highly visible, emphasizing safety in low-light conditions.