A Man Predicts Enemy's Move in Dramatic Battle

Grimdark Fantasy. A large vulture divebombing a man on a horse in a red sand desert. Eye catching Portrait in the style of Steve McNiven. High contrast bright colors. Red and White Background. Gritty action. Underdog. --ar 7:4

two people at war fighting each other punches flying, high contrast backlit desaturated extreme close-up on face and body 400mm photorealistic hyper realistic --ar 4:5 --s 750 --style raw

japan animation --v 4

A man wearing armor and holding a knife stood on the cliff, with a group of warriors behind him. They looked at the burning city in the distance. There are tanks and people fighting in the city. --v 6.0 --ar 16:9

A Greek hoplite lifting an enemy off the ground with a spear, fierce expression, adrenaline-fueled moment. Hyper Realistic HD photos --v 6.1 --ar 16:9

a dramatic shot of a man in the middle of a war, wearing a blue uniform, shooting a huge stream of flame out of his hands into oncoming attackers. The attackers are engulfed in flames. Cinematic quality. Highly detailed. Action, battle, war.

a live action Roy Mustang, from the series full metal Alchemist, using alchemy magic, fighting for his life in a dramatic battle scene. Highly detailed, Live action, real life, dynamic lighting, cinematic perspective.

a dramatic shot of a man in the middle of a war, wearing a blue uniform, shooting a huge stream of flame out of his hands into oncoming attackers. The attackers are engulfed in flames!! Cinematic quality. Highly detailed. Action, battle, war.

avocado super hero cut in half no stone fighting his nemesis, bacon man. Drawn in a 1980s marvel comic style like howard chaykin

dnd battle map, mountain pub, top-down view — ar 16:9

An Artemisia Gentileschi 16th century painting depicting the horrors of the Lepanto battle from 1571. Extreme cHIAROSCURO style. Pay special attention to close-up aspects of civillians taking part in battle. Dramatic, narrow shafts of lighting coming in on the surface of the painting from a window with blinds above the painting to the left. --ar 16:9