Glowing Rainy Cemetery in 80s Horror Movie

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day of the dead with alien skeletons photorealistic

70s dark fantasy poster, film poster layout, vhs cover THE RETURN OF THE LIVING DEAD, rainy cemetery, blue pink green COLORS, oranges glow, unreal, detailed, strange light, glow in the dark, oilpainting, adding a touch of realism and depth, By loish, by alex ross, by frank frazetta --ar 9:16 --s 50 --v 5.2

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fisheye scene of a living room, from the robot vacuum cleaner's perpective, photorealistic, sad, rainy day, ghibli studios, simplistic, low angle, low angle, wide angle --niji 6

An oil painting of an indigenous Mexican woman in the foreground, she is sitting on a grave on the traditional night of the dead and is wearing catrina makeup. It is nighttime but the light from the candles is enough to illuminate the bougainvillea hanging in the corner. In the background you can see the cemetery filled with candle lights + mexican art style + oil painting + --ar 16:9

fisheye scene of a living room, from the robot vacuum cleaner's perpective, photorealistic, sad, rainy day, ghibli studios, simplistic, low angle --v 6.0

An oil painting of two indigenous Mexican woman in the foreground, they are sitting on a grave on the traditional night of the dead and wearing catrina makeup. It is nighttime but the light from the candles is enough to illuminate the bougainvillea hanging in the corner. In the background you can see the cemetery filled with candle lights + mexican art style + oil painting + --ar 16:9

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catrina queen, day of the dead, stunningly gorgeous, intricate detailed makeup --ar 4:7 --s 666

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dia de los muertos, day of the dead, cemetery, with the focal point of a center memorial house, disney coco themed, bright vibrant colors --ar 16:9 --v 5.2

horror movie in the style of 80's horror movie footage, film poster layout, vhs cover THE RETURN OF THE LIVING DEAD, rainy cemetery, blue pink green COLORS, oranges glow, strange light, glow in the dark, oilpainting, adding a touch of realism and depth, By loish, by alex ross, by frank frazetta --ar 9:16 --s 50 --v 5.2

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