1950s Panavision shot of downtown LA in Technicolor.

Dave Bautista and Winston Duke defending downtown LA in the streets from crime wearing dark sunglasses holding an AA 12 shotgun and baseball bat, photorealistic, cinematic, dramatic lighting, contrast, mood, the look of Panavision anamorphic lens, HDR, 8k, fine detail, hyper real, --v 6.0 --ar 7:3 --s 500

cyberpunk white jeep gladiator in Downtown Los Angeles

the super hero invincible but set in a 1950s Panavision tv scene, shot in rich, vibrant Technicolor with soft focus edges, featuring a classic Hollywood style. The film grain is subtle but visible, replicating the texture of 1950s cinema. Realistic depth of field, high contrast, and slightly oversaturated colors, framed in a widescreen 16:9 aspect ratio

fast and furious paul walker running to his car, shot in a 1950s Panavision movie scene, shot in rich, vibrant Technicolor with soft focus edges, featuring a classic Hollywood style. The film grain is subtle but visible, replicating the texture of 1950s cinema. Realistic depth of field, high contrast, and slightly oversaturated colors, framed in a widescreen ar - 16:9

leo di caprio in titantic in a 1950s Panavision movie scene, shot in rich, vibrant Technicolor with soft focus edges, featuring a classic Hollywood style.

avenue of California palm trees in downtown Los Angeles area in picturesque style, 3d, octande render, 8k

A 2 meter tall, bald and fat Caucasian actor playing Kingpin from Marvel Comics in a 1981 live action film: Hyperrealism: white suit with pocket square: with lit cigar: using a diamond cane: crime scene in the background: boss aspect of crime: shot by panavision: shot by 35 mm lens: technicolor: action scene: atmosphere action film: cinema ratio: details: panoramic shot: shadows: volumetric

fast and furious vin diesel standing infront of a car shot in a 1950s Panavision movie scene, shot in rich, vibrant Technicolor with soft focus edges, featuring a classic Hollywood style. The film grain is subtle but visible, replicating the texture of 1950s cinema. Realistic depth of field, high contrast, and slightly oversaturated colors, framed in a widescreen 16:9 aspect ratio