Picture of Empty Dock in 1880s

cinematic scene form a movie with people on a dock selling goods wearing furs and leather --ar 5:3

blending the styles of frank frazetta and j. c. leyendecker, two men holding handssitting on a dock, romantically, strong, viral, muscular, very handsome --v 6.0 --ar 2:3

Manuscript 512, Sumatran expedition to uncover the fabled Lost City of Dawleetoo. the real hidden human lifeby A.I Middleton hyper-realistic 32K quality; --ar 3:2

A fisherman

A film crew shooting a commercial in 1982 with vintage 35mm move camera & lights, early 1980s, clothing, styles and hair, stand on a foggy loading dock looking confused and looking around in confusion and panic, black helicopters fly overhead, they are surrounded by washing machines which surface out of the ground, fog and grey overcast skies, eerie glowing fog --ar 16:9 --v 6.1 --style raw

a fisherman in his rubber outfit, A handsome muscular man in his 30s, in rubber fishing gear, very short hair, blue eyes, large muscles, wearing tight rubber pants, boots, handsome features, shoulders are imposing and reminiscent of a rugged mountain range, arms hold a captivating contrast of bulging biceps and lean forearms, indicating both raw power and agility. His chest is a rhythmic canvas of muscular artistry, rising and falling with each breath, photograph, ultra detalied, full body, Photography, cinematic, cinema, Hyperdetail

the lost painting of Caravaggio, The Taking of Christ (c. 1602), during war1936 --v 5.2

fisherman in a lake with a zombie

fisherman sits in a boat and wating for the catch but at the alexanderplatz in berlin --s 750

Close up Rear angle of the back of a bald Telly Savalas wearing a grey longcoat on a loading dock surrounded by washing machines walking towards a huge gigantic massive front loading washing machine with the image of a gaunt looking ghostly man's face inside the washing machine, speaking to him an eerie fog and glow from inside the washing machine , fog and grey overcast skies, --ar 16:9 --v 6.1 --style raw

(album cover) A bustling Galveston dock during daytime. Ana de Armas is seen seated on a wooden crate, while Maria Sharapova stands, holding a folded umbrella. Brightly colored boats, reflected on the water, contrast with the rustic tones of the wooden dock. Everything, from their flowing dresses to the waves, is depicted using short, thick brushstrokes typical of Impressionism. The movie title emerges from the top, with colors borrowed from the scene. Style: Impressionist, Palette: Sunny Day Contrast. --ar 5:4