The Ancient Stone Celestial Council Room Outdoors.

a photorealism artwork of an ancient stone sculpture of the head of a gorilla with curly hair with plants and wildcats on it. Greyscale. Surreal comic photorealism. --ar 9:11

Hyper-realistic 4K cinematic scene depicting Viking justice. Start with a close-up of an ancient Viking axe resting on a wooden table, illuminated by the flicker of torchlight. Transition to a medium shot of a Viking council, with stern, weathered faces debating the punishment of an outlaw, their expressions lit by firelight. The camera zooms in on a solitary figure standing at the edge of a dark, dense forest, looking fearful and desperate. In the background, ominous clouds gather, and a cold wind rustles through the trees, creating an atmosphere of tension and impending doom. --ar 16:9 --v 6.1

a painting of a group of ancient south african tribal women dry brushing as a form of exfoliating their skin. they are beautiful and in a south african environment

1970s editorial documentary photography, in style of english social realism, Background is a belfast council estate, in the distance and central is a huge plume of black smoke, front and central are peoplein animal patterned raincoats standing in small postmodern concrete towers, scattered are little blue stone cobbled igloo structures, graffiti, somber atmosphere, large postmodern reinforced concrete mutated animal statues, drizzle rain, subdued overcast winter sunlight harsh flash, multple creative angles, detailed, shot on a Yashica FX-3 Super 2000 camera with grainy Kodak ultra 400 film, 80mm lens, , realistic skin tone, blushed skin, sharp details --no deformed limbs --stylize 500 --weird 3 --v 6.1

a comic drawing surreal photorealism artwork cubism of an ancient stone sculpture of the head of a gorilla with curly hair with plants and wildcats on it. Greyscale. Surreal comic photorealism. --ar 9:11

complete darkness only one tiny light source, ancient ruins, surreal human body parts made of stone like hands holding planet like saturn glowing objects and forms in the style of max hay, dark inductive reasoning, algorithmic hallucinations, Holistic thinking Polymath, Multidisciplinary Integrated, common creative attributions, Terragen render, RealFlow render, Houdini's Mantra render, use high quality DSLR for a photorealistic shot turquoise, flying tiny floating rock details, turquoise glowing trees as details --ar 9:16 --v 6.0

Photorealistic scene from a top-down perspective, looking down into a treasure room in a grand castle. The room is filled with gold coins and jewels, with an open treasure chest as the centerpiece, overflowing with riches. The entire room brims with treasures, creating a dazzling effect. Using Light green - yellow - orange color scheme . Soft, warm light illuminates the scene, reflecting off the treasures and highlighting the stone walls, adding to the ancient and opulent atmosphere. --ar 16:9 --v 6.0 --s 750

1970s editorial documentary photography, in style of english social realism, Background is a belfast council estate, central is a dilapidated glass pyramid office block, pulling a concrere boat people dressed in 1990s Dutch gabba fashion outfis , little blue stone cobbled igloo structures, graffiti, somber atmosphere, large postmodern reinforced concrete mutated animal statues, drizzle rain, subdued overcast winter sunlight harsh flash, multple creative angles, detailed, shot on a Yashica FX-3 Super 2000 camera with grainy Kodak ultra 400 film, 80mm lens, , realistic skin tone, blushed skin, sharp details --no deformed limbs --stylize 500 --weird 3 --v 6.1

dilapidated room in an English council estate building

Photorealistic scene from a front-facing perspective, looking directly at the large, ornate door of a treasure room in a grand castle, as it is closed. The door, intricately designed with gold accents, hints at the untold riches lying beyond. The ancient stone walls surrounding the door add to the mysterious and grand atmosphere. The scene is softly lit, emphasizing the opulence and secrecy of the treasure hidden within. --ar 16:9 --v 6.0 --s 750

3 vikingsfeet ina semi circle, in front of them a heafty large blue diamond shaped stone with dark rock encrusted on it in spots, it is steaming, a dent is in the gorund, the camera is aimed at their feet and the stone... --no text --ar 16:9 --style raw --v 6.0

interior contents of the ark of the covenant

divine council, various ancient gods stand round throne. in the throne sits a old man in a white beard with muscles in the style of atey ghailan

ancient stone ankh

fierce looking dragonborn in a dimly lit stone room, fantasy art

wide view of an open treasure chest overflowing with gold coins and jewels burst out, in a room filled with more gold coins and jewels. The room is within a grand castle, illuminated by soft, warm light, reflecting off the treasures, creating a dazzling effect. Using green - yellow - orange color scheme. The green stone walls of the room add to the ancient and rich atmosphere. --ar 16:9 --v 6.0 --s 750

an ancient domed, circular temple room made of stone - no opening in the top of the roof, perfectly smooth - the floor has a thick layer of sand that covers the floor, the walls are smooth and have constellations carved into the stone - hyper realistic --ar 16:9

1970s editorial documentary photography, in style of english social realism, Background is a belfast council estate, a dilapidated volvo with no wheels on a jack, bored teenagers dressed in 1990s Dutch gabba fashion, little blue stone cobbled igloo structures, graffiti, somber atmosphere, large postmodern reinforced concrete animal statues, drizzle rain, subdued overcast winter sunlight harsh flash, multple creative angles, detailed, shot on a Yashica FX-3 Super 2000 camera with grainy Kodak ultra 400 film, 80mm lens, , realistic skin tone, blushed skin, sharp details --no deformed limbs --stylize 500 --weird 3 --v 6.1

The number of council members is further reduced, now featuring only a handful of individuals who are all focused on Peter, pointing and accusing him without noticing the celestial spectacle above. These few members are vividly expressing their disapproval and condemnation towards Peter, adding intensity to the earthly drama. Meanwhile, Peter remains steadfast, his back to the viewer, symbolizing his resolve and faith. The fiery horses and chariots continue to dominate the ceiling, representing divine protection. The overall composition maintains the contrast between the earthly judgment and the unseen divine support. --s 250

a hand dropping a few seeds along a stone road --style raw