Mariam Lawal the Proud, Smiling Rice Trader

A top-down view of a spotless, well-maintained rice cooker. Inside, the last bit of rice is charred and forms the shape of a grinning demon’s face, with sharp, angular features, hollow eyes, and a wicked, menacing smile. The rice cooker sits in a pristine, modern kitchen with sleek, polished countertops, minimalist design, and perfectly arranged utensils. The unsettling contrast between the clean, organized kitchen and the sinister, smiling demon face in the burnt rice creates a haunting yet striking visual. --ar 16:9 --v 6.0

The Actress Aisling Bea as an older travelling trader. Old. Straight grey hair. Very pale. Menacing and angry. Smug. Dressed in plain clothes. Detailed. Painted. In a fantasy style. --ar 2:3

a flat design two color logo, a fat kind looking Sri Lankan woman in a saree smiling with a big plate of rice on her hand pointing towards camera, distorted

A top-down view of a clean, well-maintained rice cooker. Inside, the last remnants of rice are burnt, forming the shape of claw marks, with sharp edges. The rice cooker is set in a spotless, modern kitchen with sleek countertops, minimalist design, and neatly arranged utensils. The scene is lit with soft, dim nighttime lighting, casting subtle shadows that heighten the unsettling contrast between the pristine kitchen and the haunting, smiling demon face in the burnt rice. --ar 16:9 --v 6.0

[127198663] A bag of rice, real shot --v 5.2 --ar 9:16 --c 0

A top-down view of a clean, well-maintained rice cooker. Inside, the last remnants of rice are burnt, forming the eerie shape of a grinning demon's face, with sharp, angular features, hollow eyes, and an ominous, twisted smile. The rice cooker is set in a spotless, modern kitchen with sleek countertops, minimalist design, and neatly arranged utensils. The scene is lit with soft, dim nighttime lighting, casting subtle shadows that heighten the unsettling contrast between the pristine kitchen and the haunting, smiling demon face in the burnt rice. --ar 16:9 --v 6.0

The Actress Aisling Bea as a male travelling trader. A man. Straight hair. Very pale. Menacing and angry. Smug. Dressed in plain clothes. Detailed. Painted. In a fantasy style. --ar 2:3

Mid shot. Picasso style painting of goddess Kali in all her finery. Her long hair is open and flowing. Her black skin shines against bright Marko Rothko style shading. She has a large powder textured vermillion bindi on her forehead. Her red kohl lined eyes are large but not angry. She should look proud and smiling. She has a golden coloured trident in her hand. Her black saree has small skulls printed on it. Oil painting. --v 6.0

coloring book, kimono girl with a smile, As a coloring book, white and black color, borders should be simple, clear, distinct, and thick lines, near a rice field, holding a basket of vegetables, from a rear view, --ar 3:4 --s 250 --niji 6

jollof rice, One-pot red rice dish cooked with tomatoes , peppers, onions, and various spices, one chicken leg, africa background

bull trader realistic

off-broadway, A modern Indian stock trader, wearing formals, worried and confused, making sell orders on the stock exchange, standing outside of Bombay Stock Exchange, image shot on Canon EOS R8, --style raw --v 5.1 --ar 7:4

Late 20s Asian man quantitative trader, in white collared shirt, next to 4 computer screens with code. He should be looking at the camera, smiling and relaxed. The background should be a white wall.

A minimalistic, vibrant scene featuring Mariam and her two children arriving in a bustling American city. The cityscape is depicted with smooth, abstract shapes representing tall buildings and busy streets, with a color palette of warm oranges and yellows transitioning to cool blues and grays. Mariam, holding her children close, looks around with a mix of awe and uncertainty. The children, still clutching her hands, gaze up at the towering buildings. The characters are depicted with simple, clean lines and expressive silhouettes, consistent in style throughout the story. The scene captures the overwhelming feeling of stepping into a new world, filled with both hope and uncertainty. in the style of Randall Munroe --ar 2:1

A top-down view of a spotless, well-maintained rice cooker. Inside, the last bit of rice is charred and forms the shape of a grinning demon’s face, with sharp, angular features, hollow eyes, and a wicked, menacing smile. The rice cooker sits in a pristine, modern kitchen with sleek, polished countertops, minimalist design, and perfectly arranged utensils. The unsettling contrast between the clean, organized kitchen and the sinister, smiling demon face in the burnt rice creates a haunting yet striking visual. --ar 16:9 --v 6.0