Mariam Lawal, a Happy Nigerian Rice Trader

Centered, wide-angle view of a vibrant half-court basketball scene with the Nigerian flag as the backboard, perfectly aligned, and no extra markings. The court is painted in the bold green and white colors of the Nigerian flag, blending seamlessly with the natural ground people regularly walk on. In the background, the towering Chappal Waddi rock dominates the landscape, while lush greenery and majestic baobab and iroko trees frame the scene. Traditional Nigerian life bursts with energy: vibrant marketplaces, locals wearing colorful agbada, gele, and buba, lively street vendors selling jollof rice and suya, and intricate cultural details like talking drums and masked dancers. The atmosphere is alive with the pulse of Nigerian music and the essence of its rich culture --ar 2:3 --s 250 --v 6.1

A top-down view of a clean, well-maintained rice cooker. Inside, the last remnants of rice are burnt, forming the shape of claw marks, with sharp edges. The rice cooker is set in a spotless, modern kitchen with sleek countertops, minimalist design, and neatly arranged utensils. The scene is lit with soft, dim nighttime lighting, casting subtle shadows that heighten the unsettling contrast between the pristine kitchen and the haunting, smiling demon face in the burnt rice. --ar 16:9 --v 6.0

A vibrant and dynamic scene in modern impressionism, featuring a small half-court NBA-style basketball court in Abuja, Nigeria. The court is nestled in the foreground with soft, fluid brushstrokes, its green and white lines blending harmoniously into the scene. Aso Rock rises majestically in the background, painted with broad, expressive strokes in warm tones. The Abuja City Gate and modern Nigerian buildings are depicted with loose, colorful shapes, while market stalls line the streets, bustling with life. Locals dressed in traditional Yoruba Agbada, Igbo Isiagu, and Hausa Babanriga clothing move through the scene, playing drums, shopping, and interacting. The green and white colors of the Nigerian flag are integrated into the environment through banners, shop signs, and clothing accents. The entire scene is bathed in golden hour light, with long shadows and vibrant colors, creating a warm, energetic atmosphere. --ar 2:3 --s 250 --v 6.1

A vibrant, highly detailed wide-angle photorealistic scene of an NBA-style basketball court set within Freedom Park, Lagos, featuring clean, sharp court lines and a realistic backboard and hoop. The court is surrounded by lush greenery and street life, with subtle green and white accents inspired by the Nigerian flag integrated into the court and surroundings. In the foreground, locals in colorful traditional Yoruba Agbada, Igbo Isiagu, and Hausa Babanriga clothing engage with the space, their detailed fabrics, braided hairstyles, and natural skin tones vividly captured. Street vendors sell suya and fresh fruits while musicians play traditional Yoruba talking drums, contributing to the park’s lively atmosphere. The wide-angle view reveals the sprawling park, with the monumental Zuma Rock towering in the background, juxtaposed with the distant modern Lagos skyline. The warm, golden light of the late afternoon casts soft shadows, enhancing the vibrant colors of the scene and reflecting on the park’s greenery, the wooden structures, and the water. Cultural symbols like Igbo masks and Yoruba drums are subtly integrated into murals and the park design. The minimalist realism style ensures every element--from the court and greenery to the textures of the clothing and Zuma Rock--is rendered with high precision, creating a dynamic yet peaceful scene. --ar 2:3 --v 6.1 --s 250

off-broadway, A modern Indian stock trader, wearing formals, worried and confused, making sell orders on the stock exchange, standing outside of Bombay Stock Exchange, image shot on Canon EOS R8, --style raw --v 5.1 --ar 7:4

A minimalistic, vibrant scene featuring Mariam and her two children arriving in a bustling American city. The cityscape is depicted with smooth, abstract shapes representing tall buildings and busy streets, with a color palette of warm oranges and yellows transitioning to cool blues and grays. Mariam, holding her children close, looks around with a mix of awe and uncertainty. The children, still clutching her hands, gaze up at the towering buildings. The characters are depicted with simple, clean lines and expressive silhouettes, consistent in style throughout the story. The scene captures the overwhelming feeling of stepping into a new world, filled with both hope and uncertainty. in the style of Randall Munroe --ar 2:1

Centered wide-angle view of a realistic half-court basketball scene with a Nigerian flag as the backboard, no markings or logos. The basketball court is the color of the Nigerian flag, with the ground reflecting the natural terrain people walk on in Nigeria. In the background, Chappal Waddi rock looms majestically. Nigerian cultural elements are clearly visible: traditional clay huts with thatched roofs, bustling marketplaces, and locals dressed in vibrant agbada, gele, and buba. Baobab and iroko trees line the scene, along with talking drums and masquerade masks. Street vendors sell jollof rice and suya, capturing the lively spirit of Nigeria --ar 2:3 --s 250 --v 6.1

generate a hyper realistic full picture of Ezinne, lady, a midwife, Nigerian, 54 years old, fat body size, hair should be braids with African hairstyle, wearing a midwife blue uniform, walking down a village road, luggages on her head, her back to the camera, 8k, --v 6.1 --ar 9:16

A vibrant, photorealistic and minimalist scene of a realistic NBA-style basketball court and hoop in Abuja, Nigeria, with the iconic Zuma Rock towering in the background. The court is detailed with clear 3-point arcs, key lines, and a realistic backboard and hoop, placed at the base of Zuma Rock, with the modern skyline of Abuja rising behind it. Locals dressed in colorful Yoruba Agbada, Igbo Isiagu, and Hausa Babanriga clothing are standing and interacting joyfully around the court, representing Nigeria's diversity. In the distance, the National Mosque and the National Christian Centre stand as symbols of Abuja’s religious harmony. The green and white of the Nigerian flag are boldly integrated into the court markings and the surrounding environment. Millennium Park’s greenery stretches in the distance, adding a natural element to the scene. The lighting is at golden hour, casting a soft glow over the entire city, while street vendors and bustling life fill the scene with energy. Cultural symbols like talking drums and woven baskets are visible on the sidelines. wide angle --ar 2:3 --s 250 --v 6.1

Portrait of an 18-year-old Black English-Nigerian football player with a strong, long neck. He has smooth, wet, long black hair styled in a mullet, but with curly, non-African-typed texture. The player faces the camera directly, showcasing high cheekbones and striking yellow, clear eyes. The skin is smooth and his expression is serious. The photo should be a professional football profile shot, with the neck clearly visible and no distractions in the background. Lighting should highlight his facial structure, with a focus on the clean, cut-out look used in football manager faces - white background plain portrait neck to head, european typed hair, smooth and curly, hair behind ears --v 6.0

generate a hyper realistic full picture of Ezinne, lady, a midwife, Nigerian, 54 years old, fat body size, hair should be braids with African hairstyle, wearing a midwife blue uniform, walking down a village road, one small village wrapped luggage on her head, her back to the camera, 8k, --v 6.1 --ar 9:16

jollof rice, One-pot red rice dish cooked with tomatoes , peppers, onions, and various spices, one chicken leg, africa background